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	<title>Archiving Cultures&#187;  &#8211; IMCC</title>
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	<description>The Institute for Modern and Contemporary Culture</description>
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		<title>Materialities of Text: Between the Codex &amp; the Net</title>
		<link>http://archivingcultures.org/mot/433</link>
		<comments>http://archivingcultures.org/mot/433#comments</comments>
		<pubDate>Wed, 20 Jul 2011 12:36:29 +0000</pubDate>
		<dc:creator>Sas Mays</dc:creator>
				<category><![CDATA[Materialities of Text]]></category>

		<guid isPermaLink="false">http://archivingcultures.org/?p=433</guid>
		<description><![CDATA[October 24th – November 4th 2011
Materialities of Text: Between the Codex and the Net
An Online Conference Co-organised by Sas Mays (University of Westminster) and Nick Thoburn (University of Manchester)
Remit:
The book, in its traditional codex form, appears in transition from print media to digital media; a condition nevertheless complicated by its forms of survival, as indicated [...]]]></description>
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		<slash:comments>6</slash:comments>
		</item>
		<item>
		<title>Contemporary Vernacular Photographies</title>
		<link>http://archivingcultures.org/cvp/345</link>
		<comments>http://archivingcultures.org/cvp/345#comments</comments>
		<pubDate>Thu, 14 Jul 2011 15:15:35 +0000</pubDate>
		<dc:creator>Sas Mays</dc:creator>
				<category><![CDATA[Contemporary Vernacular Photographies]]></category>

		<guid isPermaLink="false">http://archivingcultures.org/?p=345</guid>
		<description><![CDATA[
Saturday 3rd September 2011, 9.30 – 5.00
Symposium: Contemporary Vernacular Photographies
Co-Organised by Sas Mays (University of Westminster), and Johanna Empson &#38; Karen McQuaid (The Photographers’ Gallery London).
The term ‘vernacular photography’ has been used to describe a type of imagery that has been produced by a non-professional for private purposes, and can also refer to photographs of [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>The Hole in Time</title>
		<link>http://archivingcultures.org/time/264</link>
		<comments>http://archivingcultures.org/time/264#comments</comments>
		<pubDate>Wed, 09 Jun 2010 10:59:37 +0000</pubDate>
		<dc:creator>Sas Mays</dc:creator>
				<category><![CDATA[The Hole in Time]]></category>

		<guid isPermaLink="false">http://archivingcultures.org/?p=264</guid>
		<description><![CDATA[
23rd–24th June 2010
The Hole in Time: German–Jewish Political Philosophy and the Archive
University of Westminster, Portland Hall, 4–16 Little Titchfield Street, London W1W 7UW
A Workshop Co-Organised by Sas Mays (University of Westminster), and Leena Petersen and Nitzan Leibovic (Sussex), as part of the research project ‘Archiving Cultures’ led by Sas Mays at the Institute for Modern [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Old Media/New Work</title>
		<link>http://archivingcultures.org/oldnew/7</link>
		<comments>http://archivingcultures.org/oldnew/7#comments</comments>
		<pubDate>Thu, 29 Apr 2010 20:09:18 +0000</pubDate>
		<dc:creator>Sas Mays</dc:creator>
				<category><![CDATA[Old Media / New Work]]></category>
		<category><![CDATA[art]]></category>
		<category><![CDATA[automatic writing]]></category>
		<category><![CDATA[cassar]]></category>
		<category><![CDATA[contemporary]]></category>
		<category><![CDATA[magic lantern society]]></category>
		<category><![CDATA[media]]></category>
		<category><![CDATA[nottingham trent]]></category>
		<category><![CDATA[old]]></category>
		<category><![CDATA[optical toys]]></category>
		<category><![CDATA[photographic techniques]]></category>
		<category><![CDATA[portland hall]]></category>
		<category><![CDATA[primal sound]]></category>
		<category><![CDATA[professor pepper]]></category>
		<category><![CDATA[public lecture series]]></category>
		<category><![CDATA[raudive]]></category>
		<category><![CDATA[stage illusion]]></category>
		<category><![CDATA[technologies]]></category>
		<category><![CDATA[titchfield st]]></category>
		<category><![CDATA[university of westminster]]></category>
		<category><![CDATA[white face]]></category>
		<category><![CDATA[william burroughs]]></category>
		<category><![CDATA[work]]></category>

		<guid isPermaLink="false">http://archivingcultures.org/?p=7</guid>
		<description><![CDATA[the conference ‘Old Media / New Work’ will concentrate on art and artists working with or around such ‘lost’ practices, in order to show, discuss, and explore such work in context of contemporary relevance and future possibilities.]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Materialities of Political Publishing</title>
		<link>http://archivingcultures.org/mot/468</link>
		<comments>http://archivingcultures.org/mot/468#comments</comments>
		<pubDate>Wed, 20 Jul 2011 13:01:07 +0000</pubDate>
		<dc:creator>Sas Mays</dc:creator>
				<category><![CDATA[Materialities of Text]]></category>

		<guid isPermaLink="false">http://archivingcultures.org/?p=468</guid>
		<description><![CDATA[‘Materialities of Political Publishing: A Conversation with AAAAARG, Chto Delat, I Cite, Mute, &#38; Neural’
Pauline van Mourik Broekman, Jodi Dean, Sean Dockray, Alessandro Ludovico, Dmitry Vilensky, Simon Worthington, and Nick Thoburn (chair)
Over the course of the two week symposium and after, this conversation will discuss the materialities of political or independent publishing. The aim is to [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Daniel Selcer</title>
		<link>http://archivingcultures.org/mot/465</link>
		<comments>http://archivingcultures.org/mot/465#comments</comments>
		<pubDate>Wed, 20 Jul 2011 12:59:05 +0000</pubDate>
		<dc:creator>Sas Mays</dc:creator>
				<category><![CDATA[Materialities of Text]]></category>

		<guid isPermaLink="false">http://archivingcultures.org/?p=465</guid>
		<description><![CDATA[‘Invisible Ink: Atomizing Textual Materialism’
Insofar as ‘textual materialism’ denotes a theoretical position insisting that meaning is always immanent to the object or set of objects through which it is articulated, it must reject the idea that parchment, paper, ink, screen, and light are merely the ‘material support’ through or on which significance is projected. This [...]]]></description>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Sas Mays</title>
		<link>http://archivingcultures.org/mot/462</link>
		<comments>http://archivingcultures.org/mot/462#comments</comments>
		<pubDate>Wed, 20 Jul 2011 12:57:46 +0000</pubDate>
		<dc:creator>Sas Mays</dc:creator>
				<category><![CDATA[Materialities of Text]]></category>

		<guid isPermaLink="false">http://archivingcultures.org/?p=462</guid>
		<description><![CDATA[Sas Mays is Senior Lecturer in Cultural and Critical Theory in the Department of English, Linguistics, and Cultural Studies at the University of Westminster, London. He is also a member of Westminster’s Institute for Modern and Contemporary Culture, within which he leads the research project ‘Archiving Cultures’. Publications relating to this project include: ‘Anselm Adams: [...]]]></description>
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		<slash:comments>15</slash:comments>
		</item>
		<item>
		<title>Davin Heckman</title>
		<link>http://archivingcultures.org/mot/458</link>
		<comments>http://archivingcultures.org/mot/458#comments</comments>
		<pubDate>Wed, 20 Jul 2011 12:56:01 +0000</pubDate>
		<dc:creator>Sas Mays</dc:creator>
				<category><![CDATA[Materialities of Text]]></category>

		<guid isPermaLink="false">http://archivingcultures.org/?p=458</guid>
		<description><![CDATA[Davin Heckman
 is currently a Fulbright Scholar in Digital Culture at the University of Bergen. He is the author of A Small World: Smart Houses and the Dream of the Perfect Day (Duke UP, 2008). He is Supervising Editor of the Electronic Literature Directory (directory.eliterature.org) and Associate Professor of English at Siena Heights University, where he teaches courses in [...]]]></description>
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		<slash:comments>15</slash:comments>
		</item>
		<item>
		<title>Johanna Drucker</title>
		<link>http://archivingcultures.org/mot/451</link>
		<comments>http://archivingcultures.org/mot/451#comments</comments>
		<pubDate>Wed, 20 Jul 2011 12:52:21 +0000</pubDate>
		<dc:creator>Sas Mays</dc:creator>
				<category><![CDATA[Materialities of Text]]></category>

		<guid isPermaLink="false">http://archivingcultures.org/?p=451</guid>
		<description><![CDATA[Johanna Drucker is Martin and Bernard Breslauer Professor of Bibliography in the Information Studies Department at UCLA. She is author of numerous books on digital aesthetics, textual materialism, visual poetry, and artists’ books, and is a renowned practitioner of book art. Her books include, Speclab: Digital Aesthetics and Projects in Speculative Computing (Chicago UP, 2010), [...]]]></description>
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		<slash:comments>9</slash:comments>
		</item>
		<item>
		<title>Richard Burt</title>
		<link>http://archivingcultures.org/mot/448</link>
		<comments>http://archivingcultures.org/mot/448#comments</comments>
		<pubDate>Wed, 20 Jul 2011 12:50:49 +0000</pubDate>
		<dc:creator>Sas Mays</dc:creator>
				<category><![CDATA[Materialities of Text]]></category>

		<guid isPermaLink="false">http://archivingcultures.org/?p=448</guid>
		<description><![CDATA[Richard Burt is Professor of English at the University of Florida. He is the author of Medieval and Early Modern Film and Media (Palgrave, 2008), Unspeakable ShaXXXspeares: Queer Theory and American Kiddie Culture (St. Martin’s, 1998) and Licensed by Authority: Ben Jonson and the Discourses of Censorship (Cornell UP, 1993). He is the editor of [...]]]></description>
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		<slash:comments>8</slash:comments>
		</item>
		<item>
		<title>Jenneke Adema &amp; Gary Hall</title>
		<link>http://archivingcultures.org/mot/445</link>
		<comments>http://archivingcultures.org/mot/445#comments</comments>
		<pubDate>Wed, 20 Jul 2011 12:49:04 +0000</pubDate>
		<dc:creator>Sas Mays</dc:creator>
				<category><![CDATA[Materialities of Text]]></category>

		<guid isPermaLink="false">http://archivingcultures.org/?p=445</guid>
		<description><![CDATA[
Janneke Adema is the author of the OAPEN report Overview of Open Access Models for eBooks in the Humanities and Social Sciences (2010), and co-author of OAPEN – Open Access Publishing in European Networks: Report on Best Practices and Recommendations (2010). She has published in New Review of Academic Librarianship, Krisis. Journal for Contemporary Philosophy, and [...]]]></description>
		<wfw:commentRss>http://archivingcultures.org/mot/445/feed</wfw:commentRss>
		<slash:comments>14</slash:comments>
		</item>
		<item>
		<title>Julian Stallabrass</title>
		<link>http://archivingcultures.org/cvp/420</link>
		<comments>http://archivingcultures.org/cvp/420#comments</comments>
		<pubDate>Wed, 20 Jul 2011 10:51:23 +0000</pubDate>
		<dc:creator>Sas Mays</dc:creator>
				<category><![CDATA[Contemporary Vernacular Photographies]]></category>

		<guid isPermaLink="false">http://archivingcultures.org/?p=420</guid>
		<description><![CDATA[‘Actually Existing Sculpture’

The project ‘Actually Existing Sculpture’ is a user-generated collection of photographs shared on Flickr. Thus situated within an environment of amateur photography, they allow the vernacular in sculpture and photography to be examined together.
The sculptures that people buy for themselves often convey an array of sentiments long banished from contemporary art: they strive [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Gillian Rose</title>
		<link>http://archivingcultures.org/cvp/414</link>
		<comments>http://archivingcultures.org/cvp/414#comments</comments>
		<pubDate>Wed, 20 Jul 2011 10:48:03 +0000</pubDate>
		<dc:creator>Sas Mays</dc:creator>
				<category><![CDATA[Contemporary Vernacular Photographies]]></category>

		<guid isPermaLink="false">http://archivingcultures.org/?p=414</guid>
		<description><![CDATA[‘Domesticating the Digital: Some Observations about Family Snaps &#38; Digital Cameras’

This paper is based on a series of interviews with mums of young children about their family photography. The interviews took place between 2000 and 2008, and thus spanned the arrival of digital cameras in one sort of vernacular photographic practice. That first decade of [...]]]></description>
		<wfw:commentRss>http://archivingcultures.org/cvp/414/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Annebella Pollen</title>
		<link>http://archivingcultures.org/cvp/408</link>
		<comments>http://archivingcultures.org/cvp/408#comments</comments>
		<pubDate>Wed, 20 Jul 2011 10:43:48 +0000</pubDate>
		<dc:creator>Sas Mays</dc:creator>
				<category><![CDATA[Contemporary Vernacular Photographies]]></category>

		<guid isPermaLink="false">http://archivingcultures.org/?p=408</guid>
		<description><![CDATA[‘Visual Economies of Scale: Making sense of Majority Photography’

As a term with increasingly respectable currency but without firm ontological status, ‘vernacular photography’ can encompass utilitarian visual material resulting from an almost infinite variety of purposes, from advertising and science to the records of various disciplinary and commercial institutions. As such, its name is legion, and [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Trish Morrisey</title>
		<link>http://archivingcultures.org/cvp/402</link>
		<comments>http://archivingcultures.org/cvp/402#comments</comments>
		<pubDate>Wed, 20 Jul 2011 10:39:50 +0000</pubDate>
		<dc:creator>Sas Mays</dc:creator>
				<category><![CDATA[Contemporary Vernacular Photographies]]></category>

		<guid isPermaLink="false">http://archivingcultures.org/?p=402</guid>
		<description><![CDATA[&#8216;Performance &#38; the Vernacular&#8217;

My discussion will refer to Eugene Meatyard&#8217;s work &#8216;The Family Album of Lucybelle Crater&#8217;, and will focus on two of my recent projects, Seven Years and Front, and a sound piece entitled &#8216;There&#8217;s You&#8217; which, while having no images included, relates to vernacular photography in terms of how much its meaning relies [...]]]></description>
		<wfw:commentRss>http://archivingcultures.org/cvp/402/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Sarah Kember</title>
		<link>http://archivingcultures.org/cvp/396</link>
		<comments>http://archivingcultures.org/cvp/396#comments</comments>
		<pubDate>Wed, 20 Jul 2011 10:34:46 +0000</pubDate>
		<dc:creator>Sas Mays</dc:creator>
				<category><![CDATA[Contemporary Vernacular Photographies]]></category>

		<guid isPermaLink="false">http://archivingcultures.org/?p=396</guid>
		<description><![CDATA[‘To live is to be photographed’ (Sontag): Photography &#38; Ambient Intelligence’

This paper aims to do two things: firstly, to explore the relation between photography and the conception of life as ordinary, everyday, technologically mediated and individualised; and secondly, to show how this conception of life is being produced within an industry vision of ubiquitous computing [...]]]></description>
		<wfw:commentRss>http://archivingcultures.org/cvp/396/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Sophie Beard</title>
		<link>http://archivingcultures.org/cvp/384</link>
		<comments>http://archivingcultures.org/cvp/384#comments</comments>
		<pubDate>Wed, 20 Jul 2011 10:26:23 +0000</pubDate>
		<dc:creator>Sas Mays</dc:creator>
				<category><![CDATA[Contemporary Vernacular Photographies]]></category>

		<guid isPermaLink="false">http://archivingcultures.org/?p=384</guid>
		<description><![CDATA[‘‘Minutes after this photo was taken’: the Temporality of the Family Photograph in the Newspaper’.

It is the context of the family photograph in the newspaper that makes its reading strange as the image shifts from the private to the public. Developments in technology have changed the way family photographs are translated within the news with [...]]]></description>
		<wfw:commentRss>http://archivingcultures.org/cvp/384/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Timetable</title>
		<link>http://archivingcultures.org/cvp/360</link>
		<comments>http://archivingcultures.org/cvp/360#comments</comments>
		<pubDate>Wed, 20 Jul 2011 10:11:54 +0000</pubDate>
		<dc:creator>Sas Mays</dc:creator>
				<category><![CDATA[Contemporary Vernacular Photographies]]></category>

		<guid isPermaLink="false">http://archivingcultures.org/?p=360</guid>
		<description><![CDATA[Archiving Cultures / Photographers’ Gallery Conference
Saturday 3rd of September 2011
Contemporary Vernacular Photographies
Portland Hall, University of Westminster
4-12 Little Titchfield St, London W1W 7UW
&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;
9.30 – 10.00  Registration*
10.00 – 10.15 Introduction – Sas Mays
10.15 – 11.30 Panel 1:
Julian Stallabrass: ‘Actually Existing Sculpture’
Annebella Pollen: ‘Visual Economies of Scale: Making sense of Majority Photography’
11.30 – 12.00 Coffee
12.00 – 1.15 [...]]]></description>
		<wfw:commentRss>http://archivingcultures.org/cvp/360/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Howard Caygill (Goldsmiths): ‘Word and Image in Celan’s Atemkristall’</title>
		<link>http://archivingcultures.org/time/332</link>
		<comments>http://archivingcultures.org/time/332#comments</comments>
		<pubDate>Tue, 13 Jul 2010 15:43:42 +0000</pubDate>
		<dc:creator>Sas Mays</dc:creator>
				<category><![CDATA[The Hole in Time]]></category>

		<guid isPermaLink="false">http://archivingcultures.org/?p=332</guid>
		<description><![CDATA[The paper approaches Celan’s Atemkristall as a joint work between poet and graphic artist, in this case the wife of the poet, Giselle Celan-Lestrange.  It begins by showing how the philosophical readings that focused on Atemkristall – Bevilacqua, Gadamer, Poggeler and to lesser extent Derrida – obliterate the graphic dimension of the work.  It is [...]]]></description>
		<wfw:commentRss>http://archivingcultures.org/time/332/feed</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Timetable</title>
		<link>http://archivingcultures.org/time/252</link>
		<comments>http://archivingcultures.org/time/252#comments</comments>
		<pubDate>Wed, 09 Jun 2010 10:49:58 +0000</pubDate>
		<dc:creator>Sas Mays</dc:creator>
				<category><![CDATA[The Hole in Time]]></category>

		<guid isPermaLink="false">http://archivingcultures.org/?p=252</guid>
		<description><![CDATA[Conference Timetable – Wednesday 23rd of June
9.00 – 9.30 Registration / Coffee
9.30 – 10.00 Introduction: Sas Mays (Westminster), Leena Petersen (Sussex)
10.00 – 12.00 Panel 1: Modern Crisis and the History of the Present – Part 1
Chair: Sas Mays (Westminster)
Nicholas Lambrianou (Birkbeck): ‘Figures of Interruption: Philosophical Dramas of Temporality and History in Benjamin and Rosenzweig’
Sami Khatib [...]]]></description>
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		<slash:comments>1</slash:comments>
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