Contemporary Vernacular Photographies

Saturday 3rd September 2011, 9.30 – 5.00

Symposium: Contemporary Vernacular Photographies

Co-Organised by Sas Mays (University of Westminster), and Johanna Empson & Karen McQuaid (The Photographers’ Gallery London).

The term ‘vernacular photography’ has been used to describe a type of imagery that has been produced by a non-professional for private purposes, and can also refer to photographs of vernacular practices that have been sanctioned by state mechanisms. In these contexts, this symposium will specifically address the political, cultural, and aesthetic ramifications of the relationship between private images and their migration to the public realm in the era of digitisation.

The day-long symposium will examine ways in which contemporary practices might contest traditional definitions of vernacular photography today, and topics for discussion will include: authenticity in light of citizenship journalism; personal images on shared online platforms; the ethics of family imagery in the media; oral history and the family album; and the problematic ubiquity of digital media and computing.

Speakers: Dr Sophie Beard (UCA); Dr Sarah Kember (Goldsmiths); Trish Morrissey (Photographer); Dr Annebella Pollen (University of Brighton); Prof Gillian Rose (The Open University); and Prof Julian Stallabrass (The Courtauld Institute of Art).

Click the red links for abstracts and timetable.

Tickets are free for University of Westminster staff and students of English, Linguistics and Cultural Studies – numbers are limited so please book a place by email from Sas Mays. Other interested parties should book tickets online through The Photographers’ Gallery.

Written by Sas Mays on Thursday, posted in Contemporary Vernacular Photographies (No comments yet)

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