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	<title>Archiving Cultures&#187; The Hole in Time &#8211; IMCC</title>
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		<title>The Hole in Time</title>
		<link>http://archivingcultures.org/time/264</link>
		<comments>http://archivingcultures.org/time/264#comments</comments>
		<pubDate>Wed, 09 Jun 2010 10:59:37 +0000</pubDate>
		<dc:creator>Sas Mays</dc:creator>
				<category><![CDATA[The Hole in Time]]></category>

		<guid isPermaLink="false">http://archivingcultures.org/?p=264</guid>
		<description><![CDATA[
23rd–24th June 2010
The Hole in Time: German–Jewish Political Philosophy and the Archive
University of Westminster, Portland Hall, 4–16 Little Titchfield Street, London W1W 7UW
A Workshop Co-Organised by Sas Mays (University of Westminster), and Leena Petersen and Nitzan Leibovic (Sussex), as part of the research project ‘Archiving Cultures’ led by Sas Mays at the Institute for Modern [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Howard Caygill (Goldsmiths): ‘Word and Image in Celan’s Atemkristall’</title>
		<link>http://archivingcultures.org/time/332</link>
		<comments>http://archivingcultures.org/time/332#comments</comments>
		<pubDate>Tue, 13 Jul 2010 15:43:42 +0000</pubDate>
		<dc:creator>Sas Mays</dc:creator>
				<category><![CDATA[The Hole in Time]]></category>

		<guid isPermaLink="false">http://archivingcultures.org/?p=332</guid>
		<description><![CDATA[The paper approaches Celan’s Atemkristall as a joint work between poet and graphic artist, in this case the wife of the poet, Giselle Celan-Lestrange.  It begins by showing how the philosophical readings that focused on Atemkristall – Bevilacqua, Gadamer, Poggeler and to lesser extent Derrida – obliterate the graphic dimension of the work.  It is [...]]]></description>
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		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Timetable</title>
		<link>http://archivingcultures.org/time/252</link>
		<comments>http://archivingcultures.org/time/252#comments</comments>
		<pubDate>Wed, 09 Jun 2010 10:49:58 +0000</pubDate>
		<dc:creator>Sas Mays</dc:creator>
				<category><![CDATA[The Hole in Time]]></category>

		<guid isPermaLink="false">http://archivingcultures.org/?p=252</guid>
		<description><![CDATA[Conference Timetable – Wednesday 23rd of June
9.00 – 9.30 Registration / Coffee
9.30 – 10.00 Introduction: Sas Mays (Westminster), Leena Petersen (Sussex)
10.00 – 12.00 Panel 1: Modern Crisis and the History of the Present – Part 1
Chair: Sas Mays (Westminster)
Nicholas Lambrianou (Birkbeck): ‘Figures of Interruption: Philosophical Dramas of Temporality and History in Benjamin and Rosenzweig’
Sami Khatib [...]]]></description>
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		<slash:comments>1</slash:comments>
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		<item>
		<title>Nicholas Lambrianou (Bbk): ‘Philosophical Dramas of Temporality &amp; History in Benjamin &amp; Rosenzweig’</title>
		<link>http://archivingcultures.org/time/199</link>
		<comments>http://archivingcultures.org/time/199#comments</comments>
		<pubDate>Tue, 08 Jun 2010 16:32:54 +0000</pubDate>
		<dc:creator>Sas Mays</dc:creator>
				<category><![CDATA[The Hole in Time]]></category>

		<guid isPermaLink="false">http://archivingcultures.org/?p=199</guid>
		<description><![CDATA[Walter Benjamin’s unique spatial (urban/geographical) and temporal (messianic/interruptive) understanding of history emerges out of a dense network of critical philosophical forebears &#8211; romanticism, Goethe, neo-Kantianism, Nietzsche – prior to his explicit engagement with Marx in the 1930s. I want to argue that it was Franz Rosenzweig’s work that provided Benjamin with a specific model of [...]]]></description>
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		<slash:comments>4</slash:comments>
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		<item>
		<title>Sami Khatib (FU Berlin): ‘The Messianic and the Archive: Walter Benjamin’s ‘Politics of Time’’</title>
		<link>http://archivingcultures.org/time/195</link>
		<comments>http://archivingcultures.org/time/195#comments</comments>
		<pubDate>Tue, 08 Jun 2010 16:31:10 +0000</pubDate>
		<dc:creator>Sas Mays</dc:creator>
				<category><![CDATA[The Hole in Time]]></category>

		<guid isPermaLink="false">http://archivingcultures.org/?p=195</guid>
		<description><![CDATA[Starting with Giorgio Agamben’s (2006) distinction between messianic time (Judeo-Christian monotheism) and eschatological end-time visions (Mysticism, Gnosticism, Manichaeism), my paper examines the temporal structure of Benjamin’s messianic Marxism. As is well known, Benjamin’s notion of ‘now-time’ [Jetztzeit] introduces a theologico-political temporality different from scientific-philosophical concepts such as absolute Newtonian, relativist Aristotelian, or transcendental Kantian time. [...]]]></description>
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		<slash:comments>3</slash:comments>
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		<title>Leena Petersen (Sussex): ‘Messianic Libertarianism &amp; Linguistic Philosophies of History in Benjamin’</title>
		<link>http://archivingcultures.org/time/190</link>
		<comments>http://archivingcultures.org/time/190#comments</comments>
		<pubDate>Tue, 08 Jun 2010 16:28:56 +0000</pubDate>
		<dc:creator>Sas Mays</dc:creator>
				<category><![CDATA[The Hole in Time]]></category>

		<guid isPermaLink="false">http://archivingcultures.org/?p=190</guid>
		<description><![CDATA[The double approach of libertarian and utopian revolutionary thought characterises several Jewish thinkers from Central Europe. Even though they constitute an extremely heterogeneous group, they were nevertheless unified by this common problem. Within a cultural neo-romantic background and in a relationship of elective affinity, it is not surprising that a certain number of Jewish thinkers [...]]]></description>
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		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Nitzan Lebovic (Tel Aviv / Sussex): ‘Paul Celan: Language of Loss at the Heart of  Time’</title>
		<link>http://archivingcultures.org/time/186</link>
		<comments>http://archivingcultures.org/time/186#comments</comments>
		<pubDate>Tue, 08 Jun 2010 16:27:35 +0000</pubDate>
		<dc:creator>Sas Mays</dc:creator>
				<category><![CDATA[The Hole in Time]]></category>

		<guid isPermaLink="false">http://archivingcultures.org/?p=186</guid>
		<description><![CDATA[As a short, hand-written inscription proposes in late 1967, Paul Celan constructed a poem that summarized long archival research. ‘Nah im Aortenbogen’ (‘Near, in the Aorta’s Arch’) brought a long and a fruitful symbiosis to completion. But is this symbiosis—a poetic fusion of the German and the Hebrew—a true one? The last line of the [...]]]></description>
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		<slash:comments>3</slash:comments>
		</item>
		<item>
		<title>Shela Sheikh (Goldsmiths): ‘The Wounded Archive: Derrida Reading Celan’</title>
		<link>http://archivingcultures.org/time/183</link>
		<comments>http://archivingcultures.org/time/183#comments</comments>
		<pubDate>Tue, 08 Jun 2010 16:26:47 +0000</pubDate>
		<dc:creator>Sas Mays</dc:creator>
				<category><![CDATA[The Hole in Time]]></category>

		<guid isPermaLink="false">http://archivingcultures.org/?p=183</guid>
		<description><![CDATA[Drawing from Jacques Derrida’s readings of both the poetry and writings on the subject of poetry of Paul Celan, this paper argues that a thinking of poetry is indispensable for a productive thinking of the archive, insofar as the archive and the poem are constituted by signatures, proper names, dates, anniversaries and testimony; all of [...]]]></description>
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		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Elina Staikou (Goldsmiths): ‘Vigil of the Archive: On Derrida Dreaming Benjamin’</title>
		<link>http://archivingcultures.org/time/180</link>
		<comments>http://archivingcultures.org/time/180#comments</comments>
		<pubDate>Tue, 08 Jun 2010 16:26:02 +0000</pubDate>
		<dc:creator>Sas Mays</dc:creator>
				<category><![CDATA[The Hole in Time]]></category>

		<guid isPermaLink="false">http://archivingcultures.org/?p=180</guid>
		<description><![CDATA[Waking dreams are for Walter Benjamin hiding places for a world of things seeking what he calls “profane illumination”. In the Arcades Project awakening from a dream is one of the privileged ways of describing a new, dialectical method of doing history. “Dialectical image” is a “dream image” and “dialectical reversal” is the “flash of [...]]]></description>
		<wfw:commentRss>http://archivingcultures.org/time/180/feed</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Rebecca Dolgoy (Montreal / FU Berlin): ‘The Work of Art as Archive: Adorno’s Zeitkern as Time Capsule’</title>
		<link>http://archivingcultures.org/time/176</link>
		<comments>http://archivingcultures.org/time/176#comments</comments>
		<pubDate>Tue, 08 Jun 2010 16:25:26 +0000</pubDate>
		<dc:creator>Sas Mays</dc:creator>
				<category><![CDATA[The Hole in Time]]></category>

		<guid isPermaLink="false">http://archivingcultures.org/?p=176</guid>
		<description><![CDATA[If etymologically archive is both arkhe (origin) and arkheia (repository of public records), then it is simultaneously the theory of new beginnings and the praxis of maintaining the already existing. In response to this tension, my essay will examine Adorno’s concept of the Zeitkern (literally: time seed). In Adorno’s work, the Zeitkern takes the form [...]]]></description>
		<wfw:commentRss>http://archivingcultures.org/time/176/feed</wfw:commentRss>
		<slash:comments>3</slash:comments>
		</item>
		<item>
		<title>Wesley Phillips (Independent): ‘On the Concept of Counter-Tradition’</title>
		<link>http://archivingcultures.org/time/173</link>
		<comments>http://archivingcultures.org/time/173#comments</comments>
		<pubDate>Tue, 08 Jun 2010 16:23:47 +0000</pubDate>
		<dc:creator>Sas Mays</dc:creator>
				<category><![CDATA[The Hole in Time]]></category>

		<guid isPermaLink="false">http://archivingcultures.org/?p=173</guid>
		<description><![CDATA[This research is motivated by what I take to constitute the antinomy of contemporary radical thought: panlogicism and exceptionism. Each conceives of the philosophical possibility for social change in a divergent way to the other. The former, Hegelian-Marxist position, has the disadvantage of presenting a progressive view of history from the standpoint of its incomplete [...]]]></description>
		<wfw:commentRss>http://archivingcultures.org/time/173/feed</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Reut Paz (Humboldt University Berlin): ‘The Legal Transcendentalism of Hans Kelsen as a Hole in Time’</title>
		<link>http://archivingcultures.org/time/166</link>
		<comments>http://archivingcultures.org/time/166#comments</comments>
		<pubDate>Tue, 08 Jun 2010 16:21:15 +0000</pubDate>
		<dc:creator>Sas Mays</dc:creator>
				<category><![CDATA[The Hole in Time]]></category>

		<guid isPermaLink="false">http://archivingcultures.org/?p=166</guid>
		<description><![CDATA[The political crises of the 20th century influenced Hans Kelsen (1881-1973) both on an individual and a professional level.1 Kelsen, one of the preeminent jurists of his time, constructed the Pure Theory of Law (1934), before securing his escape from the burning ambers of Europe’s violence. Through this theory, Kelsen attempted to discover the nature [...]]]></description>
		<wfw:commentRss>http://archivingcultures.org/time/166/feed</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Dan Smith (Chelsea): ‘Overlooking Bloch: Contemporary Art and Utopia’</title>
		<link>http://archivingcultures.org/time/163</link>
		<comments>http://archivingcultures.org/time/163#comments</comments>
		<pubDate>Tue, 08 Jun 2010 16:15:21 +0000</pubDate>
		<dc:creator>Sas Mays</dc:creator>
				<category><![CDATA[The Hole in Time]]></category>

		<guid isPermaLink="false">http://archivingcultures.org/?p=163</guid>
		<description><![CDATA[Within Hal Foster’s article ‘An Archival Impulse’ can be found a compelling yet tentative manifestation of utopia in contemporary art. It is upon this that the very force of argument pivots, towards a critical engagement in the present with unrealised futures and their remains in the past. Utopian and archival forces are bound by wishful, [...]]]></description>
		<wfw:commentRss>http://archivingcultures.org/time/163/feed</wfw:commentRss>
		<slash:comments>3</slash:comments>
		</item>
		<item>
		<title>Tommaso Speccher (FU Berlin): ‘The Hole in Space’</title>
		<link>http://archivingcultures.org/time/155</link>
		<comments>http://archivingcultures.org/time/155#comments</comments>
		<pubDate>Tue, 08 Jun 2010 16:13:34 +0000</pubDate>
		<dc:creator>Sas Mays</dc:creator>
				<category><![CDATA[The Hole in Time]]></category>

		<guid isPermaLink="false">http://archivingcultures.org/?p=155</guid>
		<description><![CDATA[The archival dimensions of German-Jewish conceptions of temporality, history, catastrophe and crisis has recently found a new declension in a diverse array of architectural projects which came into being in different cities of Central Europe. The Jewish Museum in Berlin by Architect Daniel Libeskind offers a crucial representation of this spatial revisiting of the concept [...]]]></description>
		<wfw:commentRss>http://archivingcultures.org/time/155/feed</wfw:commentRss>
		<slash:comments>3</slash:comments>
		</item>
		<item>
		<title>Manu Luksch (London): ‘Moonwalking in Real Time’</title>
		<link>http://archivingcultures.org/time/152</link>
		<comments>http://archivingcultures.org/time/152#comments</comments>
		<pubDate>Tue, 08 Jun 2010 16:11:38 +0000</pubDate>
		<dc:creator>Sas Mays</dc:creator>
				<category><![CDATA[The Hole in Time]]></category>

		<guid isPermaLink="false">http://archivingcultures.org/?p=152</guid>
		<description><![CDATA[The presentation “Moonwalking in RealTime” will draw from the research for sci-fi docu FACELESS, an experimental film made using preexisting surveillance cameras installed around London. It discusses the derivation of the film’s scenario from the legal and material properties of the constituent images and summarizes the project’s critical position by focusing on a key element [...]]]></description>
		<wfw:commentRss>http://archivingcultures.org/time/152/feed</wfw:commentRss>
		<slash:comments>3</slash:comments>
		</item>
		<item>
		<title>David Cunningham (Westminster): ‘Abstract Times: Benjamin, Kafka and the Modernism of Tradition’</title>
		<link>http://archivingcultures.org/time/149</link>
		<comments>http://archivingcultures.org/time/149#comments</comments>
		<pubDate>Tue, 08 Jun 2010 16:10:54 +0000</pubDate>
		<dc:creator>Sas Mays</dc:creator>
				<category><![CDATA[The Hole in Time]]></category>

		<guid isPermaLink="false">http://archivingcultures.org/?p=149</guid>
		<description><![CDATA[In his published essay on Kafka and later letters to Scholem about the author, Benjamin struggles with the significance of Kafka’s distinctive ‘failure’ as a modern writer. For Benjamin, Kafka’s work is marked by the tensions it instantiates between the properly modern, the theological and the (literary) forms of folk tradition (‘the German as well [...]]]></description>
		<wfw:commentRss>http://archivingcultures.org/time/149/feed</wfw:commentRss>
		<slash:comments>3</slash:comments>
		</item>
		<item>
		<title>Matt Charles (Middlesex): ‘The Snow Line of the Archive: Walter Benjamin On the Trail of Old Letters’</title>
		<link>http://archivingcultures.org/time/139</link>
		<comments>http://archivingcultures.org/time/139#comments</comments>
		<pubDate>Tue, 08 Jun 2010 16:04:52 +0000</pubDate>
		<dc:creator>Sas Mays</dc:creator>
				<category><![CDATA[The Hole in Time]]></category>

		<guid isPermaLink="false">http://archivingcultures.org/oldnew/139</guid>
		<description><![CDATA[My paper is concerned with exploring Benjamin&#8217;s practice of what he calls literary-historical pragmatism in relation to the archive, and how this is informed by a messianic humanism. The critic Gundolf describes the archival material of literary criticism as a mountain, stratified into the foothills of conversations, the lower slopes of correspondences, and the peaks [...]]]></description>
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		<slash:comments>4</slash:comments>
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